Muiredach's High Cross of Monasterboice

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Mini Inish
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Wall Mounted Muiredach's High Cross, Monasterboice. Highly detailed replica in authentic stone finish.

Length 28cm, width 14cm.

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Dimensions - 4.5" high, 3" wide. Plaster/acrylics   The Sheela na gig, which translates as Julia of the Breasts', is believed to represent the surviving Pagan Goddess, interrelated with fertility and protection against evil. Some theories propose that these carvings were the work of unruly sculptors paying homage to 'The Old Ways' in a time when Christianity was firmly taking hold. These enigmatic grotesques have been found throughout Western Europe, though the greatest number have been discovered in Ireland. They are often found over doorways, in order to convey safe passage within. Some academics believe the exaggerated vulva represents the Primordial Gate between life and non-life in this respect. This representation is based on the artefact discovered at Cloran, Westmeath, in 1859. It is believed to have been carved in the 12th Century and now resides among the Witt Collection at the British Museum in London.
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K15 Stone, handcrafted, handpainted. Dimensions: 6" length, 4" high, 2" deep. K15 is situated in the Stone Age passage Tomb at Knowth, which alongside Dowth and Newgrange form the principle Bru Na Boinne UNESCO World Heritage Site. Knowth is the largest of the three, with a raised mound over 40ft High and featuring two passages along an East/West line. K15 is found within the Tomb and has been dated at 4900 years old. K15 is widely known as 'The Sundial Stone' primarily due to the highly intricate, precise astronomical carvings on its face. Some have speculated that it forms a primitive calendar, with etchings and markers that align to the 16 months of the Neolithic annum. An experiment carried out over one full year on a replicated model, however, strongly suggests that it functioned as a highly sophisticated Sundial, with a vertical East declining dial. The Summer Equinox and Winter Solstice are particularly heavily inscribed. The astronomical alignment of this wondrous artefact is without doubt, though its true intention remains a mystery. If it is a genuine Sundial, it will prove to be the world's oldest, with the previous record holder being found in Egypt and dated at a comparatively youthful 1700 years old.
K15 - The Sundial Stone. Knowth, Newgrange.
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THE FAERIE ISLEFaerie trees and forts can be found abundantly scattered across the hillsides and fields of Ireland, functioning as sites of both fear and reverence. Farmers will work around Faerie trees rather than cut them down, and even modern infrastructure and roads have been rerouted so as not to incur the wrath of the Wee Folk. Here, the Fae are surrounded by their magik Faerie Ring, encircled by protective waters, and hidden from sight beneath their beloved Hawthorn tree. A tiny bridge affords them passage to the greater world, as their intricate pathway curves upward around the hillside to the safety of their fortress within. Their little kingdom is protected by glass, shielding them from the Mortal Realm.This sculpted/handcrafted piece is created with natural Donegal ceramic clay and features an intricate Faerie tree constructed by hand from selected sprigs of Donegal windbrush, sourced from the summits of the Urris Hills at Leenankeel. Each tree contains a genuine sprig of Hawthorn for authenticity. "If you see a fairy ring, in a field of grass. Very lightly step around, tiptoe as you pass!"*THESE PIECES REQUIRE APPROX 7 DAYS TO CREATE PRIOR TO SHIPMENT
Faerie Isle (in cloche jar)
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Handcrafted, handpainted piece, stands 6" high, 4.5" wide. Thorwald’s Cross, Isle of Man Located at Church Andreas on the Isle of Man, this fragment of a Viking Slab Cross is dated by Rundata to 940 AD. It is a very unique artefact, in that it appears to represent an example of ‘Syncretic Art’ created during a short period of time when both Pagan and Christian belief systems coexisted. It is also unique for bearing the inscription of the erector of the original monument; ‘Porvaldr raised this cross’, with its present title representing this. The cross shows what is believed to be the father of the Norse gods, Odin, being consumed by the wolf, Fenrir, at the events of Ragnarok, signalling the end to the story of the Norse Pantheon. This is significant as it may reveal the conversion point from Paganism to Christianity, with the Christian god rising to prominence following the destruction of the Pagan gods at the mythical battle of Ragnarok. The bird at Odin’s shoulder is thought to be either Huginn or Muninn, Odin’s loyal ravens, whose attachment to Odin have led to him being commonly referred to as ‘The Raven God’.
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